Overall is the feeling of pottery, living with pottery, seeing pottery, or in other words, seeing and seeing the blending, harmony, and interplay of Water, Earth, and Fire.
Vietnamese pottery has many coincidences, many randomnesses, many unintentionals to create affection. That means fire is respected and trusted. At first glance, it seems simple but it is imbued with humanity.
Handmade but not fine art. Vietnamese pottery is more emotional than rational, more emotional than thoughtful. Of course, technique is necessary, but technique is only a means, technique must follow emotions, it must be submerged.
The beauty of Vietnamese pottery lies in the combination of traditional handicrafts, rustic and delicate features, along with the constant creativity in patterns and shapes. Vietnamese pottery is not only a utensil but also a cultural symbol, clearly expressing the character of the nation and charming by its simplicity and simplicity.
The weight of Vietnamese pottery is its silence. It is close and gentle like whispering. Vietnamese pottery is easy to approach for sensitive, sentimental and even a little romantic people.
Vietnamese pottery is handmade, one product at a time, but there is no unpleasant impression because one has to see a lot of manual labor in it. There is no use of effort, meticulousness, care, curves, sophistication, meticulousness, regularity, roundness, precision, smooth symmetry, cleanliness, stiffness, neatness, levelness, straightness to the point of dryness.
The beauty of Vietnamese pottery is pure, clean and natural. It is an inherent beauty without fussy makeup, clothes… Are all those characteristics also the virtues of Vietnamese people? Through pottery, the soul of Vietnamese people is most clearly revealed. Land is also people, pottery is also people, regardless of literature.
Pottery is not only a person, but that red-lipped pottery cup has given us something more: Pottery and person are one.
